浅谈中国旧上海时期插画,人物的刻画特点
摘要
重温昔日上海滩“月份牌、香烟盒”的旧梦,以期给当今插画创作以启发,正所谓“温故而知新”。 它作为一种民族绘画形式记录着上海的历史与文化，具有重要的史料价值。当前的中国人物插图普遍照搬国外的设计风格，缺乏民族性，以至于没有自身的特点。因此，在进行人物插图创作的同时，应体现对民族传统文化的关怀，将民族精神和历史文脉融入其间。寻求变革和发展，总结出一套具有中国特色的人插图设计理论，以适应现代社会对插图设计的需求。
关键词：上海 人物插画 刻画特点
Abstract
Revisiting old Shanghai Bund “calendar, cigarette box” dream, in order to give the illustration to enlightenment, is the so-called” knowledge”. It serves as a national painting form of records of the history and culture of Shanghai, has important historical value. The current Chinese character illustrations generally imitate foreign design style, the lack of nationality, that no own characteristics. Therefore, in Figure illustration creation at the same time, should reflect on traditional culture ‘s care, the national spirit and historical context into which. To seek innovation and development, summed up a set of Chinese characteristic human illustration design theory, in order to adapt the modern society to the illustration design requirements.
Key words: Shanghai personage illustration depicts the characteristics
目 录
引言………………………………………………………………………………………………………………… 4
一、人物插画的发展概况……………………………………………………………………………………. 4
二、民国时期旧上海的月历牌、香烟盒的人物插画特征……………………………………………. 4
2.2 插画人物多元化的特点…………………………………………………………………………… 6
2.3 插画人物夸张的特点……………………………………………………………………………… 7
三、插画发展的趋势………………………………………………………………………………………….. 8
结束语…………………………………………………………………………………………………………….. 9
参考文献………………………………………………………………………………………………………….. 9
