目 录
摘 要………………………………………………………………………………………………………… 3
引 言…………………………………………………………………………………………………………… 5
一、绪论………………………………………………………………………………………………………….. 6
1、研究的背景………………………………………………………………………………………………. 6
2、研究的综述………………………………………………………………………………………………. 7
二、纪录片《望长城》的故事化分析…………………………………………………………………….. 8
1、题材故事性的凸显……………………………………………………………………………………… 8
2、“说”者角色的转变………………………………………………………………………………….. 9
3、现代拍摄技术的应用………………………………………………………………………………….. 9
三、纪录片故事化的功效………………………………………………………………………………….. 10
1、叙事效果的增强……………………………………………………………………………………….. 10
2、主题意旨的表达……………………………………………………………………………………….. 10
3、主题意旨的表达……………………………………………………………………………………….. 11
四、纪录片故事化的对策………………………………………………………………………………….. 12
1、题材和内容的挖掘……………………………………………………………………………………. 12
2、画面和声音的创新……………………………………………………………………………………. 12
3、脚本的故事化引导……………………………………………………………………………………. 13
五、小结………………………………………………………………………………………………………… 13
参考文献：…………………………………………………………………………………………………….. 15
摘 要
历史文化纪录片因为其历史价值、认知价值、文献价值及文化传承功能而具有广阔的市场开拓空间，为纪录片的纪实性起到了正本清源的作用，。《望长城》诞生于追逐纪录片自身存在价值的火热时代，在中央电视台内部，看重的是中日友好交流、对外宣传中国的作用，摄制人员看重的则是纪录理念和手法的刻意创新，因此，《望长城》代表的是纪录片的文化内涵，在启迪民智、帮助人与人之间的了解上起到了突出贡献。纪录精神与社会文化相交织、人、历史与叙事结合在一起、叙事结构和叙事线索的差异：开放与封闭、多元与单一相融合的手法来讲述历史纪录片的事实，《望长城》采取个人追述式的纪录模式，也是个人追述式在中国运用的先锋作品，它混合了观察、访问、采访、述评、导演的画外音与画面上的插入字幕以及摄影机与人物之间的互动等等众多元素，《望长城》从多种手段展现中国纪录片故事化的表现手法。
关键词：记录片；《望长城》；表现手法
Abstract
Historical and cultural documentary has broad market development space because ofits historical value, perceived value, the literature values and cultural heritage functions,documentaries, documentary plays the role of the root of the problem. The Great Wallwas born in the chase documentary fiery era of existence value, within the CCTV, thevalue of Sino-Japanese friendly exchanges, publicizing China’s role valued by the crewsis a record of ideas and practices deliberately innovation, therefore, the Great Wallrepresents the cultural connotation of the documentary, played an outstandingcontribution to enlighten the people, help people to understand. Intertwined record ofmental and social culture, people, history and narrative combined with differences innarrative structure and narrative clues: open and closed multi-and single-phaseintegration approach to tell the facts of the historical documentary, the Great Wall “totake personal recount type of record mode, a pioneer in the use of personal recountstyle in China works, it is a mixture of observation, visits, interviews, commentary,director’s voice-over on the screen to insert subtitles and the interaction between thecamera and characters, and so many elements, the Great Wall “from a variety of meansto show the documentary story of the performance practices.
Keywords: documentary; “the Great Wall”; performance practice
