“假声位置真声唱法”的学习体会与感悟
摘要
“假声位置真声唱法”为武秀之教授潜心研究探索而逐渐形成的一种独特的声乐唱法，刚开始是美声、民族、戏曲三种不同风格作品上的结合，又叫“三结合”，30余年，武秀之坚定“三女合一”的理念，随着时间的推移，“三结合”不仅仅是唱法上的独特，更为新颖的是在歌唱中又加入了表演及舞蹈，这就是我们现在歌、表、舞的“三结合”。声乐方法对于学习声乐者是非常重要的，声乐是实践性很强的一门艺术，想要掌握正确的歌唱方法，除了课上的学习，最重要的还是自己在平时的练习，如何找到正确的歌唱状态及发声的位置？这将是一个歌唱学习者能否成为一个优秀的歌唱者的关键之所在。
关键词：三结合/假声位置真声唱法/教育教学理论方法
“THE POSITION OF TRUE VOICE FALSETTO SINGING” LEARNING EXPERIENCE AND INSINGHTS
ABSTRACT
“A unique vocal singing falsetto chorus position really” Professor Wu Xiuzhi study to explore and gradually formed, the beginning is a combination of bel canto, national opera, three different styles of work, also called the “three combination”, more than 30 years, Wu Xiuzhi firm “three female one” concept, with the the passage of time, the “three combination” is not only the unique singing style, more novel is joined in singing and dance performances, this is our song and dance, “combination of the three”. The vocal method is very important for the study of vocal music, vocal music art practice is very strong, want to master the correct method of singing, in addition to class, the most important thing is their usual practice, how to find the correct state of singing and vocal position? This will be the key to the ability of a singer to become a good singer.
KEYWORDS: three with falsetto chorus position really educational theory
目录
中文摘要……………………………………………………………………………………………………I
英文摘要…………………………………………………………………………………………………..II
前言…………………………………………………………………………………………………………….1
1 “假声位置真声唱法”的定义…………………………………………………….2
1.1 “假声位置”……………………………………………………………………………2
1.2 “真声唱”……………………………………………………………………………….2
1.3 何为“假声位置真声唱法”…………………………………………………3
2 “假声位置真声唱法”的几个基础训练手段……………………….3
2.1 憋气训练……………………………………………………………………………………3
2.2 低八度………………………………………………………………………………………..4
2.3 扒鼻子………………………………………………………………………………………..4
2.4 偷咽哈欠…………………………………………………………………………………..5
3 “假声位置真声唱法”的学习体会与感悟………………………….6
结语…………………………………………………………………………………………………………..7
致谢…………………………………………………………………………………………………………..8
参考文献…………………………………………………………………………………………………9
