摘要：中国古琴曲以其独有的艺术魅力，千百年来一直在我国音乐艺术的圣殿中占据着重要地位。把传统古琴曲改编、移植到钢琴上进行演奏，无疑是其艺术演奏的一种尝试，不仅承载了古琴音乐的艺术魅力，而且以立体化的多声部思维方式将我国传统文化表现出来，形成了鲜明的艺术特色，钢琴改编曲《梅花三弄》便是其中的精品。
关键词：钢琴曲；梅花三弄；继承；发展
Abstract: China ancient QinQu with its unique artistic charm, one thousand years have been in our country music art holy temple is very important. The traditional ancient QinQu adaptation, transplanted to piano play, no doubt, is the art of playing a try, not only carries the artistic charm of music guqin, but also with three-dimensional more voice way of thinking will show the Chinese traditional culture, and formed distinct artistic features, piano adapted song the plum flower three get \”is one of the high-quality goods.
Keywords: piano music; The plum flower three lane; Inheritance; development
目录
Abstrac…………………………………………………………… I
一、《梅花三弄》的历史演变…………………………………………… 1
二、钢琴曲《梅花三弄》对传统乐曲的继承和发展………………………….. 1
（一）该曲对传统乐曲精神境界、气质品格的继承与发展………………….. 1
（二）钢琴曲《梅花三弄》对传统乐曲标题和基本旋律的直接暗示…………… 3
（三）钢琴曲《梅花三弄》对传统乐曲创作技法的继承与发展………………. 3
三、钢琴改编曲《梅花三弄》的曲式结构分析……………………………… 4
（一）曲式结构………………………………………………….. 4
（二）和弦、和声、调性和织体……………………………………… 5
参考文献………………………………………………………….. 8
