摘要：近年来，随着小说改编至电影的浪潮掀起，许许多多、形形色色的改编电影出现在了现代观众的视角之中，其中不乏有为人乐道、笑道的电影导演——郭敬明。在郭敬明的笔下，将许多小说改编成了现在人人津津乐道的电影，如：《小时代》、《爵迹》，虽然在改编的道路上，其电影作品有称赞也有诋毁，但是不得不承认的是，郭敬明的改编为我国电影事业开辟了一条新的发展道路。郭敬明其主要的身份实际是一名作家，但是自从其以一部《小时代》打开了我国国产小说改编剧的大门之后，陆陆续续地创作了《幻城》、《爵迹》等让人眼前一亮的改编电影作品。那么，面对着舆论对郭敬明的众多抨击，网络用户对郭敬明的影视作品“喜恶夹杂”，如何更好地展现一部由小说改编而来的电影，如何拍摄出一部令观众喜爱、接受的改编电影是我国当前需要考虑的问题。本文从小说改编至电影过程中需要注意的因素，以及分析了小说改编成电影之后对电影原著、受众、观众好评度之间的关联，也着重分析了几部郭敬明的代表作品，旨在从其代表作品之中，发现郭敬明的改编的手法和创意的元素。最终，提出了小说到电影改编的得失与难度，目前，都市偶像类、奇幻类电影由于其受众对于内容的要求比较高，要求电影的多元化，涉及范围广泛化，同时电影必须紧跟受众的心理需求而发展创新，以丰富的内容形式吸引更多的观众，尤其是由于在现今这个商业化高度发展的时代，更应该注重以上问题修改借鉴，在学习和承袭的基础上加入自己的创新元素才能使电影持久的发展。
关键词：小说；改编；电影；郭敬明
Abstract：In recent years, with the novel adapted to the wave of the film set off, many, all kinds of adaptation of the film appeared in the perspective of modern viewers, many of whom are lovers, laughing film director – Guo Jingming. In the writing of Guo Jingming, many novels were adapted into the movies that now talked about each other, such as “small times” and “Jazz”. Although the works of the film were praised and defiled, they had to Admitted that the adaptation of Guo Jingming for China’s film industry has opened up a new path of development. Guo Jingming’s main identity is actually a writer, but since its “small age” to open the door of my country’s novel adaptation of the screen, after another to create a “magic city”, “Jue” and so on A bright adaptation of the film works. So, in the face of public opinion on the many criticisms of Guo Jingming, network users of Guo Jingming film and television works “likes and dislikes”, how to better show a novel adapted from the film, how to shoot a so that the audience favorite, The adaptation of the film is China’s current need to consider the issue. This paper analyzes the factors that need to be paid attention to in the process of film adaptation, and analyzes the relationship between the original film and the audience, and analyzes the representative works of Guo Jingming, Representative works, found Guo Jingming adaptation of the tactics and creative elements. Finally, the novel to the film adaptation of the gains and losses and the difficulty of the current, urban idol class, fantasy film because of its audience requirements for the content is relatively high, requiring the film’s diversification, involving a wide range, while the film must follow the audience Psychological needs and the development of innovation, in the form of rich content to attract more viewers, especially because of the highly developed in this era of commercial development, we should pay attention to the above problems to learn from the study and inheritance on the basis of adding their own innovative elements In order to make the film lasting development.
Key words：novel; adaptation; film; Guo Jingming
目 录
第一章 从小说到电影的互文解读………………………………………………………………………. 5
第一节 主题再现………………………………………………………………………………………… 5
一、解读人物角色……………………………………………………………………………….. 5
第二节 影视化叙事…………………………………………………………………………………….. 7
一、影视中的剪辑手法、画面信息和音效…………………………………………………… 7
二、时空的叙事和功能……………………………………………………………………………….. 7
三、小说文本符号与电影画面符号……………………………………………………………… 8
第二章 小说改编电影的社会反响…………………………………………………………………….. 10
第一节 改编对受众的价值观影响……………………………………………………………… 10
一、改编成功的好评如潮…………………………………………………………………… 10
二、改编失败的备受争议…………………………………………………………………… 10
第二节 电影改编策略……………………………………………………………………………….. 10
一、小说和电影的叙事方式……………………………………………………………….. 10
二、改编后得差异………………………………………………………………………………. 11
第三章 小说到电影改编的得失与难度……………………………………………………………… 12
第一节 情节删减与原著元素流失……………………………………………………………… 12
一、商业化的娱乐时代………………………………………………………………………. 12
二、人物存在和人物个性的丧失………………………………………………………… 13
三、市场的操控…………………………………………………………………………………. 13
四、演员的选择…………………………………………………………………………………. 13
第二节 视听语言的运用……………………………………………………………………………. 15
一、充满现场感的视觉冲击……………………………………………………………….. 15
二、电影的表达方式………………………………………………………………………….. 15
参考文献………………………………………………………………………………………………………….. 16
