内容摘要
本论文是围绕毕业创作——实验片《掠影·栖居》的创作实践所得的观点与体会。
当今越来越多的都市人关注起心底共存的那份回归自然的情怀，然而城市化进程中，由于城乡之间的天然分割和人为分割，二者的差距原本就是天渊之别的，我们要思考的最终还是得回到城市的宜居性上来。
从国际、国内各类艺术展到日常生活中，人们对于城市建设的关注，以及对于影像表达的接受，促生了我用影像去表现适宜人居的城市与田园的想法。
在了解宜居城市的探索历程和宜居城市的内涵的基础之上，本文试图从城市环境的美学角度讨论城市宜居性。从美学角度来说，城市的环境美是自然美、社会美和艺术美的有机统一体。具有美学价值的环境才是人类理想的栖居地。
本人的毕业创作，实验片《掠影·栖居》分为四段短片——田园乡村、城市繁华、城市生活、窑湾古镇。两段体现当代城市人的生活，（包括城市文明、城市环境、城市交通、商业服务、绿色开敞空间、住宅等等）一段为田园乡村生活一隅，一段是重建古镇的古朴风情。此次实践均是模拟第一视角的随拍，包括抖动的镜头，随行的画面，希望能够通过影像画面的语言，一窥当代人对田园生活愈发心向往之的情节根源，让观者跟随镜头的同时，感受每个人心中的那个宜居的家园。
关键词: 田园 城市 宜居 人文 美学 影像
Abstract
This paper centers around my views and understanding acquired from the creation practice of my graduation creation, the experimental documentary film “Glimpse·Habitation”.
Today, more and more urbanites pay attention to their hidden affection to return to nature, but in the urbanization, there is a complete difference between urban and rural areas originally, because of the natural and man-made division, so which we should think about finally return to the livability of city.
From kinds of international or domestic art exhibitions to daily life, people’s concern to the city construction and their acceptation of photo-taking expression promoted me to use the image to show the livable cities and rural life proposition.
On the base of the understanding of livable city’s exploration course and connotation, this paper tries to discuss the city livability from the urban environment angle aesthetically. From aesthetics angles, the urban environment beauty is seen as an organic unity of beauty of nature, society and art. The environment has aesthetic value is indeed the people’s ideal nesting area. My graduation creation, the experimental documentary film “Glimpse·Habitation”, has four shorts — rural countryside、flourishing city、city life and kiln bay old town. Two shorts show a time city life (including the urban civilization、urban environment、urban transport、commercial service、green open space and residence), one short shows a fraction of the rural life, one short shows the old civilization of old town after reconstruction. These shorts are all taken in first person angle, including shaking shot and following pictures; it hoped that we can take a closer look to the root of people’s increasing yearning for rural life from the image language and make the spectators feel their livable home following the shot.
Key words: Rural life, Urban, Livable, Human, Esthetics, Image.
目 录
绪 论················································································· 1
第一章 实验片《掠影·栖居》创作设想································ 2
第一节 当代人田园情结的回热········································· 2
第二节 “田园城市”——宜居城市探索之滥觞························ 3
第三节 作品表现形式的探索············································· 3
第二章 宜居——城市发展关键词··········································· 6
第一节 关于宜居城市的探索··············································· 6
第二节 宜居城市的内涵····················································· 6
第三节 宜居城市环境的美学魅力········································· 7
第三章 作品《掠影·栖居》的创作体会································· 10
第一节 实验性影像艺术的起源与发展································· 10
第二节 影视画面的语言特性············································· 10
第三节 具有美学价值的环境是人类理想的栖居地················· 14
结 语··············································································· 16
致 谢··············································································· 17
参考文献············································································ 18
