论以腔行字-美声唱法演唱中国作品的理念与实践
摘要
随着时代的发展，从歌剧到轻歌剧，直至今日发展为现代音乐剧，每个阶段的发展都尤其特点和变化，尤其是在演唱的方式和方法方面有所改变。其中，最能令人记忆深刻的是歌剧和音乐剧中的美声唱法。如今，许多歌剧和音乐剧的表演中，都不乏运用到美声唱法，虽然美声唱法已经被大多数现代音乐剧表演者有所忽视，但是就其音乐的表现力和张力看来，美声唱法还是占据了很大一部分作用和地位。在欧洲的音乐剧表演中，美声唱法主要是用来表达人物的性格和音乐剧的内容，并未一般唱法和现代唱法所能取代和代替的。
关键词：以腔行字；美声唱法；中国作品
On the Ideas and Practice of Singing Chinese Works by Singing the Word
Abstract
With the development of the times， from the opera to the opera， until today the development of modern musicals， the development of each stage are particularly characteristic and change， especially in the way of singing and methods have changed. Among them， the most memorable is the opera and musical in the bel canto singing. Nowadays， many opera and musical performances are used in the sound of singing， although the bel canto has been most of the modern musical performers have ignored， but the performance of its music and tension seems， bel canto or occupy A large part of the role and status. In the European musical performances， Bel Canto is mainly used to express the characters and musical content， not the general singing and modern singing can replace and replace.
Key words: to the line of words; Bel Canto; Chinese works
目 录
引言……………………………………………………………………………………………………………….. 1
一、美声唱法的概述………………………………………………………………………………………. 1
（一）美声唱法的概念……………………………………………………………………………. 1
（二）美声唱法的由来……………………………………………………………………………. 1
（三）美声唱法的技巧分析…………………………………………………………………….. 1
二、以腔行字与美声唱法的联系…………………………………………………………………….. 2
（一）以腔行字的概念及特征…………………………………………………………………. 2
（二）以腔行字与美声唱法在咬字上的联系……………………………………………. 2
（三）以腔行字与美声唱法在声音转换上的联系…………………………………….. 2
三、以腔行字-美声唱法演唱中国作品的建议…………………………………………………. 3
（一）处理好发声与咬字的关系……………………………………………………………… 3
（二）吐字清晰、语调纯正的训练………………………………………………………….. 4
（三）熟练运用美声唱法的基本发声技巧……………………………………………….. 4
结语……………………………………………………………………………………………………………….. 6
参考文献………………………………………………………………………………………………………… 7
致谢……………………………………………………………………………………………………………….. 8
