目 录
Abstract………………………………………………………… 1
1研究的背景…………………………………………………….. 2
2 纪录片《望长城》的叙事手法………………………………………. 3
2.1 纪录精神与社会文化相交织…………………………………… 3
2.2 纪录模式的个性运用………………………………………… 4
2.3 人、历史与叙事结合在一起…………………………………… 4
2.4 叙事结构和叙事线索的差异：开放与封闭、多元与单一……………… 5
3 纪录片故事化的不同手段………………………………………….. 5
3.1 情景再现与现场采访相结合的方式来再现历史…………………….. 5
3.2 运用不同的镜头来表现主持与旁观者的角色，实现历史事实的呈叙…….. 6
3.3 全息化与音乐加解说的效果，使纪录片更有观赏性…………………. 6
3.4 运用电视手段和数码技术以及情景再现的叙述方式，来展现记录的史实…. 7
4 小结………………………………………………………….. 7
参考文献……………………………………………………….. 10
摘要：《望长城》诞生于追逐纪录片自身存在价值的火热时代，在中央电视台内部，看重的是中日友好交流、对外宣传中国的作用，摄制人员看重的则是纪录理念和手法的刻意创新，因此，《望长城》代表的是纪录片的文化内涵，在启迪民智、帮助人与人之间的了解上起到了突出贡献。《望长城》采取个人追述式的纪录模式，也是个人追述式在中国运用的先锋作品，它混合了观察、访问、采访、述评、导演的画外音与画面上的插入字幕以及摄影机与人物之间的互动等等众多元素。因此，本文将从叙事手法以及纪录片故事化的不同手段对《望长城》进行探讨。
关键词：记录片；作用；探讨
Abstract: ” The Great Wall” was born in chasing the documentary itself value the fiery era, in CCTV, is the value of the China-Japan friendly exchanges, foreign propaganda China’s role, the crew value idea and technique is the record of deliberately innovation, therefore,” the Great Wall” is the representative of the documentary film culture, in the enlightening the people, help the understanding between people played an outstanding contribution. ” The the Great Wall” take people back type record mode, is also individual traces the type in China use the avant-garde works, it is a mixture of observation, interviews, commentary, access, director of the voice and picture on the insert caption and camera and character interactions and so many elements. Therefore, this article from the narrative and documentary story of the different means to” look” of the Great Wall.
Key words: documentary; “the Great Wall”; performance practice
