摘要:香港青年导演叶念琛独立编导的多部爱情电影，因其对后现代社会的深入思索，成为多重社会疾病的症候显现。他的以“爱情三部曲”为代表的影片，颠覆了传统爱情类型电影的叙事模式，爱情观念反传统，呈现为以欺骗与控制为手段的自恋，人物丧失了意义与安全感。叶念琛以其对情感现实的独特表现而契合青年观众的心态，这虽然为中小成本电影开启一条探索之路，但是，他对于批判立场的放弃也不得不引起警觉。
Abstract: Hong Kong youth director Yip, an independent director of many love stories, in-depth thinking of the post-modern society, the multiple social disease symptoms appear. His films, “Love Trilogy” subvert the narrative mode of the traditional love type of movie, love the concept of anti-traditional, rendered as to deceive and control the means of narcissism, the characters lose meaning and a sense of security. Yip, and fit the mentality of the youth audience with its unique performance on the emotional reality, which, though small and medium budget films open a path of exploration, however, his critical position to give up also had to raise the alarm .
Key word：Yip Love type of movie Narrative mode Post-modern concept of love
目 录
2、 从电影的内容上解析……………………………………………. 3
2.1、影片本身充满了后现代主义格调………………………………. 3
2.2、对爱情模式的总结…………………………………………. 4
3、从电影的技术层面看叶氏电影……………………………………… 5
4、从电影的叙事方式（或者电影风格）看叶氏电影……………………….. 7
4.1、颠覆传统的反转剧模式……………………………………… 7
5、叶氏电影存在的问题…………………………………………….. 8
5.1、影片结局和人物角色选取的重复性…………………………….. 8
5.2、对观众造成爱情观对错的模糊认识…………………………….. 8
